Apocalypse 1 artist-gina_hawkshaw where reflective surfaces no longer

where reflective surfaces no longer merely show our exterior but prompt deeper reflection on our inner aspirations

The interplay of shadowy midnight blues with whispers of silver moonlight reflects off each feather

The piece exudes a serene and intimate connection with the wild

The rich textures achieved through heavy bodied acrylics add depth and vibrancy to this captivating piece

'Good To Glow' beckons viewers to lose themselves in an urban landscape reimagined through Tom Butler's eyes – where every element

Apocalypse 1 artist-gina_hawkshaw where reflective surfaces no longerKeith Haring (1958 1990) Apocalypse I, from the portfolio Apocalypse 1 10, 1988 Screenprint in colours on Museum Board Signed, dated, and inscribed PP from the edition of 5 in pencil (a printers proof aside from the edition of 90) Published by George Mulder Fine Arts, New York, with his rubber stamp verso Sheet: 38 38 in (96. 5 96. 5 cm)