Lisa Donneson / Irreversible Order apparel who led several interviews and

who led several interviews and questioned the goal of the publication

to the type of incident that is often characterised as ‘too good to be true’

Landscapes caught under a bell jar or carefully placed in a monumental architectural structure

This publication is composed of all the slides Frido Troost (1960-2013) used for his classes at the Gerrit Rietveld Academie

Somers has been collecting the first

Lisa Donneson / Irreversible Order apparel who led several interviews andLisa Donnesons Irreversible Order examines how memory, aging, and cultural identity cohere into visual form. Engaging Proustian cuesthe scent of coffee, the warmth of freshly baked bread, remnants of a shifting American landscapeshe activates desire, loss, humour, and latent trauma as material for image making. Her use of a performative double within domestic space foregrounds the slippages between reenactment and recollection, allowing humour to