Teasing Typography Photography Without the constraints of a

Without the constraints of a client

der perfekt am Schreibtisch sitzt

Der schmale Rahmen lässt die Motive für sich wirken

Pages: 160 unbedruckte Seiten

Tokyo and New York

Teasing Typography Photography Without the constraints of aHow does typography behave under extreme conditions? What visual phenomenons, patterns, artifacts, and graphic elements can be provoked by pushing type through extreme grids and using extreme typographic parameters? At what point does a text step back to its original purpose of informing the reader? When does text become something else: a graphic element, a gray surface, a static noise, or a haptic pattern? To investigate these questions, graphic